KEH Blog


Vintage Finds For You or Your Sweetie

Gary Fong Light Accessories Part II

The Gary Fong products work better than a naked bounce flash because they extend the bounced area, intensify the light, and even out the reflected light. Using one of these makes your subject pop while eliminating harsh shadows.

 Natural Light

Left: Direct Flash, Right: Regular Bounce Flash

Lightsphere II: Clear - Left: w/o Dome, Right: w/ Dome

Lightsphere II: Frosted -  Left: w/o Dome, Right: w/ Dome

Shot w/ the Whale Tail

Click HERE For more information on Gary Fong and the line of products.  Click HERE to shop KEH Camera's selection of Gary Fong products.

Handmade For a Photographer

Photography related items, check. Handmade, check. Awesome, check.  Check out these great finds spotted on Etsy:

"I Shoot People" Cork Necklace, by Uncorked
"Keep Calm and Snap On" Print, by Keep Calm Shop

"Tie Tack- Camera", by Dabble Designs
"Travel the World Cuff Links", by Plasticouture

"Little DSLR Camera Teething Toy", by Little Sapling Toys
"Little Photographer Camera Onesie", by Nacho Mamas Threads

Filters 101

A filters function is to absorb certain light and allow other light to pass through either partially or completely. They are generally made of glass, plastic, or sheets of gelatin. Different filters allow the photographer to express individual creativity and aid in correcting any undesirable components. Each filter alters light in different ways; they can be used alone or in combination with one another to achieve seemingly infinite results.

The most basic filters provide little more than protection for your lens. Lenses can be a costly investment, and a good protective filter will easily shield a lens from devastating damage. Replacing a filter is a lot easier to endure than replacing a lens.

  • MC protective filters are clear filters designed to protect the lens without affecting the light that passes through it. Use of these filters with show no effect on the final image. These filters are usually left on the end of the lens and won’t affect the performance of other filters used in combination with it.
  • UV filters are also a first choice for protecting a lens. These filters absorb UV light that often appears as a bluish tone in photographs. Common practice is to keep these filters on the lens at all times as the effect is minimal and often desired. UV filters are increasingly effective at higher altitudes, over long distances, and above water. In hazier conditions, stronger UV Haze filters will have a more dramatic effect, sometimes resulting in a yellow tone. Although it is not possible to filter out dust and fog, UV Haze filters will filter out the UV light reflecting off of them.
  • Sky filters are chromatic (colored) filters, usually a light shade of pink or magenta. They also help reduce the effect caused by UV light, and add warmth to the photograph. When photographing people, Sky filters can be used to help prevent the light reflecting off of nearby objects from disturbing skin tones.
  • Neutral Density filters are designed to reduce brightness without sacrificing color. These filters are useful when shooting in bright conditions where fast shutter speeds still result in over exposure. Longer exposure times allow for creative effects, such as softening moving water, and give a lot of freedom to the photographer for experimentation. Reducing the brightness of light also allows for wider aperture settings, which will reduce the depth of field.
  • Polarizer filters are generally used to reduce and eliminate reflections on non-metal surfaces. Depending on the angle, reflections on water and glass can be eliminated, allowing you to focus on subjects within. Polarized filters can also be used to darken the sky, and increase contrast and saturation. A common practice is to point at the sun with your hand in the form of a pistol. The part of the sky that your thumb is pointing at is where the darkening effect with be more intense. Circular polarized filters allow you to rotate the filter, changing the intensity of the filter’s effect.
Above: No Filter, SOOC
Above: With Polarizer Filter
Left: No Filter, Right: Polarizer Filter

~Andy McCarrick

Filters 102

Today's post is in continuation with our short series of filter posts.  If you missed Filters 101, click HERE. The filters we are referring to are the traditional filters that screw onto the front of a lens, drop-in, or slide in as gels (not the Photoshopped kind).
  • Haze Filters are more intense versions of UV filters. Like UV filters they cut down on the bluish haze accompanying high altitude, far distances, and over-water shots. They contribute a warming effect, and will sometimes create a yellow cast. Haze is created when light hits small particles in the air. Haze filters are able to cut down on the haze created when light reflects off of larger particles in air, such as droplets of water, dust, and pollution. Although the filter cannot remove these particles completely, it can dramatically decrease their effect in photographs.
  • Fog Filters serve the opposite purpose of Haze filters. When it is desired, these filters will increase the effects of fog or subtly create it where none is present. Fog filters can be used to soften a photograph or add more depth to a boring scene by adding another element to it. In scenes where some fog is already present, this filter will exaggerate, or “thicken”, its effect.
  • Close up filters are used to bring the minimum focusing distance of a lens much closer. These filters are a cheap alternative to macro lenses and offer unique qualities of their own. They come in varying intensities (usually from +1 through +10) and can be combined with one another to achieve desired results. Lower intensities are beneficial on flat objects, while more intense close up filters are better for 3 dimensional objects, as they maintain depth of field without sacrificing much sharpness.
  • Soft focus filters diffuse the light coming into the lens, affecting the overall contrast and sharpness, and subtly blending colors. Their effect appears as a soft glow emitting from bright spots, or as an out-of-focus-blending of less intense colors. Although cutting down on sharpness and contrast, they can help objects in a photograph flow together more easily.
Shot with no filter (above)
Shot with soft focus filter (below)
  • Enhancing filters work mostly in the red spectrum. Their use results in a greater saturation of some browns, oranges, and reds. This filter works by not allowing duller colors to pass through. This effect in itself will lead to a warmer photograph, but most filters also add a slight red tone. This makes the colors in the red spectrum jump out and has a warming effect on objects of other colors. Different versions of enhancing filters are made for enhancing specific colors, such as greenhancing, and bluehancing.
  • Cross screen filters are clear filters that have any given pattern of lines running across them. This effect causes light sources and bright reflections to radiate out along these lines. The most popular version of these is a starburst filter. These filters are commonly used at night, creating streaks of light to fill areas that would normally be dark. When used in daylight, the diffusion of light through these filters will sometimes soften the shot depending on the number and intensity of light sources.
  • Split field filters are a type of close up filter that allow the photographer to focus on an object within inches in the foreground, and keep sharp focus on objects in the background. These filters are essentially a close up filter cut in half. The main challenge of a split field filter is hiding the line created by the filters edge, which often shows up as a blur running across the photograph. Despite the challenges that come with using this filter, they can still be useful. Most SLR camera’s automatic settings don’t allow for the photographer to get the maximum depth of field out of their lens. With reliance on automatic features, a split field filter easily offers the desired effect without the frustration of trying to force your camera to do something that it wasn’t set up to do.
An example of the blurry line created by a split filed filter that should be avoided.

~Andy McCarrick


our team of experts is here to help

Call now at