![\"Fujifilm](\"https:\/\/keh.com\/cdn-cgi\/image\/q=80,fit=scale-down,format=auto\/expert-advice\/wp-content\/uploads\/2022\/06\/X-t100.jpg\")
<\/a><\/figure>\n\n\n\nFujifilm X-T100<\/a>
<\/h3>\n\n\n\nWe\u2019ve long been fans of Fujifilm\u2019s various classic-inspired camera bodies, and the X-T100 is no exception. This model, however, lends itself incredibly well to filming yourself and everything around you thanks to the tilting flip-out touchscreen. Pair that with face detection & Fujifilm\u2019s excellent film emulations and you\u2019ve got a winning combo for creativity.<\/p>\n\n\n\n![\"Fujifilm](\"https:\/\/keh.com\/cdn-cgi\/image\/q=80,fit=scale-down,format=auto\/expert-advice\/wp-content\/uploads\/2022\/06\/Fuji-16mm-1024x683.jpg\")
<\/a><\/figure>\n\n\n\nFujifilm XF 16mm f\/2.8 R WR<\/a><\/h3>\n\n\n\nThis 24mm equivalent is compact, quick, sharp, and wide. When vlogging, it\u2019s much easier to work with a lens that shows both you and the available space in the room. This silent option gives both sharpness and a pleasing image quality to whatever video tasks you throw its way.<\/p>\n\n\n\n![\"Panasonic](\"https:\/\/keh.com\/cdn-cgi\/image\/q=80,fit=scale-down,format=auto\/expert-advice\/wp-content\/uploads\/2022\/06\/Panasonic-GH5-1024x684.jpg\")
<\/a><\/figure>\n\n\n\nPanasonic Lumix DC-GH5<\/a><\/h3>\n\n\n\nA popular favorite among independent video professionals, the GH5 isn\u2019t the newest of the lineup, but it’s paved the way for continued greatness with 60p 4K video in a compact, sensor-stabilized body. <\/p>\n\n\n\n
The previous generation\u2019s DMC-GH4<\/a><\/strong> can now be picked up for an impressive price point if you aren\u2019t in need of in-body stabilization or uncropped 4K. Alternately, the DC-GH5S<\/a><\/strong> dials up the heat with increased low light sensitivity and dual native ISO\u2013features seldom found outside of much more expensive bodies.
<\/p>\n\n\n\n![\"Panasonic](\"https:\/\/keh.com\/cdn-cgi\/image\/q=80,fit=scale-down,format=auto\/expert-advice\/wp-content\/uploads\/2022\/06\/Lumix-12-60mm-1024x683.jpg\")
<\/a><\/figure>\n\n\n\nPanasonic Leica Lumix 12-60mm f\/2.8-4<\/a><\/h3>\n\n\n\nOptically stabilized, with a 24-120mm equivalent zoom and co-designed with industry titan Leica, this lens is a high-end item with a reasonably modest price point. Considering that this top-quality lens may never leave your camera mount, the spend is even easier to justify.<\/p>\n\n\n\n![\"Olympus](\"https:\/\/keh.com\/cdn-cgi\/image\/q=80,fit=scale-down,format=auto\/expert-advice\/wp-content\/uploads\/2022\/06\/e-m5-ii-1024x682.jpg\")
<\/a><\/figure>\n\n\n\nOlympus OM-D E-M5 Mark II<\/a><\/h3>\n\n\n\nClaiming to have some of the most powerful in-body image stabilization, the E-M5 Mark II also boasts impressive weather sealing. Seemingly designed specifically for travel and vacation videos, its small Micro Four Thirds body comes significantly lighter and easier to carry on a grand adventure than a similarly-specced full-frame DSLR. Oh, and it comes in both black and silver models for those with more discerning tastes.
<\/p>\n\n\n\n![\"Olympus](\"https:\/\/keh.com\/cdn-cgi\/image\/q=80,fit=scale-down,format=auto\/expert-advice\/wp-content\/uploads\/2022\/06\/olympus-12-50mm-1024x682.jpg\")
<\/a><\/figure>\n\n\n\nOlympus 12-50mm f\/3.5-6.3 ED EZ MSC<\/a><\/h3>\n\n\n\nThis lens gives you a solid zoom range for indoor and outdoor applications, and quick autofocus performance, but it offers something a bit more powerful for video work. Packing a motorized electronic zoom in its small frame, the 12-50mm gives a smooth, professional polish to any documentary-style push or pull shots.
<\/p>\n\n\n\n![\"Nikon](\"https:\/\/keh.com\/cdn-cgi\/image\/q=80,fit=scale-down,format=auto\/expert-advice\/wp-content\/uploads\/2022\/06\/D5300-1024x683.jpg\")
<\/a><\/figure>\n\n\n\nNikon D5300 DSLR<\/a><\/h3>\n\n\n\nNot so long ago, the creator world was flooded with DSLR-style camera bodies instead of mirrorless models. The supremely affordable D5300 is a great example of a budget camera that still offers impressive capabilities. A 24-megapixel DX-format sensor doubles up for sharp stills, a swiveling LCD screen spins around for self-filming, and the movie mode allows you to shoot high-def video in 60 frames per second. It may not get all the way up to 4K, but when you consider that most video content is viewed on small 1080p screens, you probably won\u2019t miss it.
<\/p>\n\n\n\n![\"Nikon](\"https:\/\/keh.com\/cdn-cgi\/image\/q=80,fit=scale-down,format=auto\/expert-advice\/wp-content\/uploads\/2022\/06\/Nikon-18-55mm-1024x682.jpg\")
<\/a><\/figure>\n\n\n\nNikon AF-S DX 18-55mm f\/3.5-5.6 G ED<\/a><\/h3>\n\n\n\nWhile we don\u2019t always love recommending kit zoom lenses, here we make an exception. It\u2019s a perfect choice for someone just getting started. Surprisingly sharp when stopped down, it also offers an effective range from wide to telephoto for capture of both landscapes and portraits, allotting the user a great deal of creative flexibility in a lightweight, entry-level lens.
<\/p>\n\n\n\n![\"Canon](\"https:\/\/keh.com\/cdn-cgi\/image\/q=80,fit=scale-down,format=auto\/expert-advice\/wp-content\/uploads\/2022\/06\/Canon-R6-1024x683.jpg\")
<\/a><\/figure>\n\n\n\nCanon EOS R6<\/a><\/h3>\n\n\n\nCanon\u2019s entry into the full frame mirrorless world may have been slower than some expected, but boy, do they know how to burst onto the scene. The R6 features the same image sensor and processor of the 1D X Mark III<\/a><\/strong>, a powerhouse in the DSLR world. Paired with in-body image stabilization and high video frame rates, this beast is ready to take on the world. Additionally, with 4:2:2 10-bit Canon Log or HDR-PQ recording, the R6 can truly output some pro-level images worthy of your first (or latest) viral video.
<\/p>\n\n\n\nAlternately, the EOS 70D<\/a><\/strong> is an excellent APS-C camera from a generation ruled by DSLRs. Still just as capable as it was when it first burst onto the scene, this wedding and vlogging favorite can be had for cheaper than ever. Paired with an EF-S 18-135mm f\/3.5-5.6 IS STM<\/a><\/strong> lens, you\u2019ve got a budget kit ready for almost anything.
<\/p>\n\n\n\n![\"Canon](\"https:\/\/keh.com\/cdn-cgi\/image\/q=80,fit=scale-down,format=auto\/expert-advice\/wp-content\/uploads\/2022\/06\/canon-rf-24-105-1024x682.jpg\")
<\/a><\/figure>\n\n\n\nCanon RF 24-105 f\/4 L IS USM<\/a><\/h3>\n\n\n\nMatching the focal length and aperture of one of our favorite E-mount<\/a><\/strong> lenses, the RF 24-105 f\/4 L also brings along its excellent image stabilization. This makes it one of the most versatile options for steady handheld and low-light scenarios. With fast, smooth and silent autofocus capabilities, this is the single-lens solution for the RF system.\u00a0<\/p>\n\n\n\n
\n\n\n\nSHOP ALL GEAR<\/a><\/strong><\/p>\n\n\n\n
<\/a><\/figure>\n\n\n\nFujifilm XF 16mm f\/2.8 R WR<\/a><\/h3>\n\n\n\nThis 24mm equivalent is compact, quick, sharp, and wide. When vlogging, it\u2019s much easier to work with a lens that shows both you and the available space in the room. This silent option gives both sharpness and a pleasing image quality to whatever video tasks you throw its way.<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nPanasonic Lumix DC-GH5<\/a><\/h3>\n\n\n\nA popular favorite among independent video professionals, the GH5 isn\u2019t the newest of the lineup, but it’s paved the way for continued greatness with 60p 4K video in a compact, sensor-stabilized body. <\/p>\n\n\n\n
The previous generation\u2019s DMC-GH4<\/a><\/strong> can now be picked up for an impressive price point if you aren\u2019t in need of in-body stabilization or uncropped 4K. Alternately, the DC-GH5S<\/a><\/strong> dials up the heat with increased low light sensitivity and dual native ISO\u2013features seldom found outside of much more expensive bodies.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nPanasonic Leica Lumix 12-60mm f\/2.8-4<\/a><\/h3>\n\n\n\nOptically stabilized, with a 24-120mm equivalent zoom and co-designed with industry titan Leica, this lens is a high-end item with a reasonably modest price point. Considering that this top-quality lens may never leave your camera mount, the spend is even easier to justify.<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nOlympus OM-D E-M5 Mark II<\/a><\/h3>\n\n\n\nClaiming to have some of the most powerful in-body image stabilization, the E-M5 Mark II also boasts impressive weather sealing. Seemingly designed specifically for travel and vacation videos, its small Micro Four Thirds body comes significantly lighter and easier to carry on a grand adventure than a similarly-specced full-frame DSLR. Oh, and it comes in both black and silver models for those with more discerning tastes.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nOlympus 12-50mm f\/3.5-6.3 ED EZ MSC<\/a><\/h3>\n\n\n\nThis lens gives you a solid zoom range for indoor and outdoor applications, and quick autofocus performance, but it offers something a bit more powerful for video work. Packing a motorized electronic zoom in its small frame, the 12-50mm gives a smooth, professional polish to any documentary-style push or pull shots.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nNikon D5300 DSLR<\/a><\/h3>\n\n\n\nNot so long ago, the creator world was flooded with DSLR-style camera bodies instead of mirrorless models. The supremely affordable D5300 is a great example of a budget camera that still offers impressive capabilities. A 24-megapixel DX-format sensor doubles up for sharp stills, a swiveling LCD screen spins around for self-filming, and the movie mode allows you to shoot high-def video in 60 frames per second. It may not get all the way up to 4K, but when you consider that most video content is viewed on small 1080p screens, you probably won\u2019t miss it.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nNikon AF-S DX 18-55mm f\/3.5-5.6 G ED<\/a><\/h3>\n\n\n\nWhile we don\u2019t always love recommending kit zoom lenses, here we make an exception. It\u2019s a perfect choice for someone just getting started. Surprisingly sharp when stopped down, it also offers an effective range from wide to telephoto for capture of both landscapes and portraits, allotting the user a great deal of creative flexibility in a lightweight, entry-level lens.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon EOS R6<\/a><\/h3>\n\n\n\nCanon\u2019s entry into the full frame mirrorless world may have been slower than some expected, but boy, do they know how to burst onto the scene. The R6 features the same image sensor and processor of the 1D X Mark III<\/a><\/strong>, a powerhouse in the DSLR world. Paired with in-body image stabilization and high video frame rates, this beast is ready to take on the world. Additionally, with 4:2:2 10-bit Canon Log or HDR-PQ recording, the R6 can truly output some pro-level images worthy of your first (or latest) viral video.
<\/p>\n\n\n\nAlternately, the EOS 70D<\/a><\/strong> is an excellent APS-C camera from a generation ruled by DSLRs. Still just as capable as it was when it first burst onto the scene, this wedding and vlogging favorite can be had for cheaper than ever. Paired with an EF-S 18-135mm f\/3.5-5.6 IS STM<\/a><\/strong> lens, you\u2019ve got a budget kit ready for almost anything.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon RF 24-105 f\/4 L IS USM<\/a><\/h3>\n\n\n\nMatching the focal length and aperture of one of our favorite E-mount<\/a><\/strong> lenses, the RF 24-105 f\/4 L also brings along its excellent image stabilization. This makes it one of the most versatile options for steady handheld and low-light scenarios. With fast, smooth and silent autofocus capabilities, this is the single-lens solution for the RF system.\u00a0<\/p>\n\n\n\n
\n\n\n\nSHOP ALL GEAR<\/a><\/strong><\/p>\n\n\n\n
<\/a><\/figure>\n\n\n\nPanasonic Lumix DC-GH5<\/a><\/h3>\n\n\n\nA popular favorite among independent video professionals, the GH5 isn\u2019t the newest of the lineup, but it’s paved the way for continued greatness with 60p 4K video in a compact, sensor-stabilized body. <\/p>\n\n\n\n
The previous generation\u2019s DMC-GH4<\/a><\/strong> can now be picked up for an impressive price point if you aren\u2019t in need of in-body stabilization or uncropped 4K. Alternately, the DC-GH5S<\/a><\/strong> dials up the heat with increased low light sensitivity and dual native ISO\u2013features seldom found outside of much more expensive bodies.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nPanasonic Leica Lumix 12-60mm f\/2.8-4<\/a><\/h3>\n\n\n\nOptically stabilized, with a 24-120mm equivalent zoom and co-designed with industry titan Leica, this lens is a high-end item with a reasonably modest price point. Considering that this top-quality lens may never leave your camera mount, the spend is even easier to justify.<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nOlympus OM-D E-M5 Mark II<\/a><\/h3>\n\n\n\nClaiming to have some of the most powerful in-body image stabilization, the E-M5 Mark II also boasts impressive weather sealing. Seemingly designed specifically for travel and vacation videos, its small Micro Four Thirds body comes significantly lighter and easier to carry on a grand adventure than a similarly-specced full-frame DSLR. Oh, and it comes in both black and silver models for those with more discerning tastes.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nOlympus 12-50mm f\/3.5-6.3 ED EZ MSC<\/a><\/h3>\n\n\n\nThis lens gives you a solid zoom range for indoor and outdoor applications, and quick autofocus performance, but it offers something a bit more powerful for video work. Packing a motorized electronic zoom in its small frame, the 12-50mm gives a smooth, professional polish to any documentary-style push or pull shots.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nNikon D5300 DSLR<\/a><\/h3>\n\n\n\nNot so long ago, the creator world was flooded with DSLR-style camera bodies instead of mirrorless models. The supremely affordable D5300 is a great example of a budget camera that still offers impressive capabilities. A 24-megapixel DX-format sensor doubles up for sharp stills, a swiveling LCD screen spins around for self-filming, and the movie mode allows you to shoot high-def video in 60 frames per second. It may not get all the way up to 4K, but when you consider that most video content is viewed on small 1080p screens, you probably won\u2019t miss it.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nNikon AF-S DX 18-55mm f\/3.5-5.6 G ED<\/a><\/h3>\n\n\n\nWhile we don\u2019t always love recommending kit zoom lenses, here we make an exception. It\u2019s a perfect choice for someone just getting started. Surprisingly sharp when stopped down, it also offers an effective range from wide to telephoto for capture of both landscapes and portraits, allotting the user a great deal of creative flexibility in a lightweight, entry-level lens.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon EOS R6<\/a><\/h3>\n\n\n\nCanon\u2019s entry into the full frame mirrorless world may have been slower than some expected, but boy, do they know how to burst onto the scene. The R6 features the same image sensor and processor of the 1D X Mark III<\/a><\/strong>, a powerhouse in the DSLR world. Paired with in-body image stabilization and high video frame rates, this beast is ready to take on the world. Additionally, with 4:2:2 10-bit Canon Log or HDR-PQ recording, the R6 can truly output some pro-level images worthy of your first (or latest) viral video.
<\/p>\n\n\n\nAlternately, the EOS 70D<\/a><\/strong> is an excellent APS-C camera from a generation ruled by DSLRs. Still just as capable as it was when it first burst onto the scene, this wedding and vlogging favorite can be had for cheaper than ever. Paired with an EF-S 18-135mm f\/3.5-5.6 IS STM<\/a><\/strong> lens, you\u2019ve got a budget kit ready for almost anything.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon RF 24-105 f\/4 L IS USM<\/a><\/h3>\n\n\n\nMatching the focal length and aperture of one of our favorite E-mount<\/a><\/strong> lenses, the RF 24-105 f\/4 L also brings along its excellent image stabilization. This makes it one of the most versatile options for steady handheld and low-light scenarios. With fast, smooth and silent autofocus capabilities, this is the single-lens solution for the RF system.\u00a0<\/p>\n\n\n\n
\n\n\n\nSHOP ALL GEAR<\/a><\/strong><\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/a><\/figure>\n\n\n\nPanasonic Leica Lumix 12-60mm f\/2.8-4<\/a><\/h3>\n\n\n\nOptically stabilized, with a 24-120mm equivalent zoom and co-designed with industry titan Leica, this lens is a high-end item with a reasonably modest price point. Considering that this top-quality lens may never leave your camera mount, the spend is even easier to justify.<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nOlympus OM-D E-M5 Mark II<\/a><\/h3>\n\n\n\nClaiming to have some of the most powerful in-body image stabilization, the E-M5 Mark II also boasts impressive weather sealing. Seemingly designed specifically for travel and vacation videos, its small Micro Four Thirds body comes significantly lighter and easier to carry on a grand adventure than a similarly-specced full-frame DSLR. Oh, and it comes in both black and silver models for those with more discerning tastes.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nOlympus 12-50mm f\/3.5-6.3 ED EZ MSC<\/a><\/h3>\n\n\n\nThis lens gives you a solid zoom range for indoor and outdoor applications, and quick autofocus performance, but it offers something a bit more powerful for video work. Packing a motorized electronic zoom in its small frame, the 12-50mm gives a smooth, professional polish to any documentary-style push or pull shots.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nNikon D5300 DSLR<\/a><\/h3>\n\n\n\nNot so long ago, the creator world was flooded with DSLR-style camera bodies instead of mirrorless models. The supremely affordable D5300 is a great example of a budget camera that still offers impressive capabilities. A 24-megapixel DX-format sensor doubles up for sharp stills, a swiveling LCD screen spins around for self-filming, and the movie mode allows you to shoot high-def video in 60 frames per second. It may not get all the way up to 4K, but when you consider that most video content is viewed on small 1080p screens, you probably won\u2019t miss it.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nNikon AF-S DX 18-55mm f\/3.5-5.6 G ED<\/a><\/h3>\n\n\n\nWhile we don\u2019t always love recommending kit zoom lenses, here we make an exception. It\u2019s a perfect choice for someone just getting started. Surprisingly sharp when stopped down, it also offers an effective range from wide to telephoto for capture of both landscapes and portraits, allotting the user a great deal of creative flexibility in a lightweight, entry-level lens.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon EOS R6<\/a><\/h3>\n\n\n\nCanon\u2019s entry into the full frame mirrorless world may have been slower than some expected, but boy, do they know how to burst onto the scene. The R6 features the same image sensor and processor of the 1D X Mark III<\/a><\/strong>, a powerhouse in the DSLR world. Paired with in-body image stabilization and high video frame rates, this beast is ready to take on the world. Additionally, with 4:2:2 10-bit Canon Log or HDR-PQ recording, the R6 can truly output some pro-level images worthy of your first (or latest) viral video.
<\/p>\n\n\n\nAlternately, the EOS 70D<\/a><\/strong> is an excellent APS-C camera from a generation ruled by DSLRs. Still just as capable as it was when it first burst onto the scene, this wedding and vlogging favorite can be had for cheaper than ever. Paired with an EF-S 18-135mm f\/3.5-5.6 IS STM<\/a><\/strong> lens, you\u2019ve got a budget kit ready for almost anything.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon RF 24-105 f\/4 L IS USM<\/a><\/h3>\n\n\n\nMatching the focal length and aperture of one of our favorite E-mount<\/a><\/strong> lenses, the RF 24-105 f\/4 L also brings along its excellent image stabilization. This makes it one of the most versatile options for steady handheld and low-light scenarios. With fast, smooth and silent autofocus capabilities, this is the single-lens solution for the RF system.\u00a0<\/p>\n\n\n\n
\n\n\n\nSHOP ALL GEAR<\/a><\/strong><\/p>\n\n\n\n
<\/a><\/figure>\n\n\n\nOlympus OM-D E-M5 Mark II<\/a><\/h3>\n\n\n\nClaiming to have some of the most powerful in-body image stabilization, the E-M5 Mark II also boasts impressive weather sealing. Seemingly designed specifically for travel and vacation videos, its small Micro Four Thirds body comes significantly lighter and easier to carry on a grand adventure than a similarly-specced full-frame DSLR. Oh, and it comes in both black and silver models for those with more discerning tastes.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nOlympus 12-50mm f\/3.5-6.3 ED EZ MSC<\/a><\/h3>\n\n\n\nThis lens gives you a solid zoom range for indoor and outdoor applications, and quick autofocus performance, but it offers something a bit more powerful for video work. Packing a motorized electronic zoom in its small frame, the 12-50mm gives a smooth, professional polish to any documentary-style push or pull shots.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nNikon D5300 DSLR<\/a><\/h3>\n\n\n\nNot so long ago, the creator world was flooded with DSLR-style camera bodies instead of mirrorless models. The supremely affordable D5300 is a great example of a budget camera that still offers impressive capabilities. A 24-megapixel DX-format sensor doubles up for sharp stills, a swiveling LCD screen spins around for self-filming, and the movie mode allows you to shoot high-def video in 60 frames per second. It may not get all the way up to 4K, but when you consider that most video content is viewed on small 1080p screens, you probably won\u2019t miss it.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nNikon AF-S DX 18-55mm f\/3.5-5.6 G ED<\/a><\/h3>\n\n\n\nWhile we don\u2019t always love recommending kit zoom lenses, here we make an exception. It\u2019s a perfect choice for someone just getting started. Surprisingly sharp when stopped down, it also offers an effective range from wide to telephoto for capture of both landscapes and portraits, allotting the user a great deal of creative flexibility in a lightweight, entry-level lens.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon EOS R6<\/a><\/h3>\n\n\n\nCanon\u2019s entry into the full frame mirrorless world may have been slower than some expected, but boy, do they know how to burst onto the scene. The R6 features the same image sensor and processor of the 1D X Mark III<\/a><\/strong>, a powerhouse in the DSLR world. Paired with in-body image stabilization and high video frame rates, this beast is ready to take on the world. Additionally, with 4:2:2 10-bit Canon Log or HDR-PQ recording, the R6 can truly output some pro-level images worthy of your first (or latest) viral video.
<\/p>\n\n\n\nAlternately, the EOS 70D<\/a><\/strong> is an excellent APS-C camera from a generation ruled by DSLRs. Still just as capable as it was when it first burst onto the scene, this wedding and vlogging favorite can be had for cheaper than ever. Paired with an EF-S 18-135mm f\/3.5-5.6 IS STM<\/a><\/strong> lens, you\u2019ve got a budget kit ready for almost anything.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon RF 24-105 f\/4 L IS USM<\/a><\/h3>\n\n\n\nMatching the focal length and aperture of one of our favorite E-mount<\/a><\/strong> lenses, the RF 24-105 f\/4 L also brings along its excellent image stabilization. This makes it one of the most versatile options for steady handheld and low-light scenarios. With fast, smooth and silent autofocus capabilities, this is the single-lens solution for the RF system.\u00a0<\/p>\n\n\n\n
\n\n\n\nSHOP ALL GEAR<\/a><\/strong><\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/a><\/figure>\n\n\n\nOlympus 12-50mm f\/3.5-6.3 ED EZ MSC<\/a><\/h3>\n\n\n\nThis lens gives you a solid zoom range for indoor and outdoor applications, and quick autofocus performance, but it offers something a bit more powerful for video work. Packing a motorized electronic zoom in its small frame, the 12-50mm gives a smooth, professional polish to any documentary-style push or pull shots.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nNikon D5300 DSLR<\/a><\/h3>\n\n\n\nNot so long ago, the creator world was flooded with DSLR-style camera bodies instead of mirrorless models. The supremely affordable D5300 is a great example of a budget camera that still offers impressive capabilities. A 24-megapixel DX-format sensor doubles up for sharp stills, a swiveling LCD screen spins around for self-filming, and the movie mode allows you to shoot high-def video in 60 frames per second. It may not get all the way up to 4K, but when you consider that most video content is viewed on small 1080p screens, you probably won\u2019t miss it.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nNikon AF-S DX 18-55mm f\/3.5-5.6 G ED<\/a><\/h3>\n\n\n\nWhile we don\u2019t always love recommending kit zoom lenses, here we make an exception. It\u2019s a perfect choice for someone just getting started. Surprisingly sharp when stopped down, it also offers an effective range from wide to telephoto for capture of both landscapes and portraits, allotting the user a great deal of creative flexibility in a lightweight, entry-level lens.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon EOS R6<\/a><\/h3>\n\n\n\nCanon\u2019s entry into the full frame mirrorless world may have been slower than some expected, but boy, do they know how to burst onto the scene. The R6 features the same image sensor and processor of the 1D X Mark III<\/a><\/strong>, a powerhouse in the DSLR world. Paired with in-body image stabilization and high video frame rates, this beast is ready to take on the world. Additionally, with 4:2:2 10-bit Canon Log or HDR-PQ recording, the R6 can truly output some pro-level images worthy of your first (or latest) viral video.
<\/p>\n\n\n\nAlternately, the EOS 70D<\/a><\/strong> is an excellent APS-C camera from a generation ruled by DSLRs. Still just as capable as it was when it first burst onto the scene, this wedding and vlogging favorite can be had for cheaper than ever. Paired with an EF-S 18-135mm f\/3.5-5.6 IS STM<\/a><\/strong> lens, you\u2019ve got a budget kit ready for almost anything.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon RF 24-105 f\/4 L IS USM<\/a><\/h3>\n\n\n\nMatching the focal length and aperture of one of our favorite E-mount<\/a><\/strong> lenses, the RF 24-105 f\/4 L also brings along its excellent image stabilization. This makes it one of the most versatile options for steady handheld and low-light scenarios. With fast, smooth and silent autofocus capabilities, this is the single-lens solution for the RF system.\u00a0<\/p>\n\n\n\n
\n\n\n\nSHOP ALL GEAR<\/a><\/strong><\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/a><\/figure>\n\n\n\nNikon D5300 DSLR<\/a><\/h3>\n\n\n\nNot so long ago, the creator world was flooded with DSLR-style camera bodies instead of mirrorless models. The supremely affordable D5300 is a great example of a budget camera that still offers impressive capabilities. A 24-megapixel DX-format sensor doubles up for sharp stills, a swiveling LCD screen spins around for self-filming, and the movie mode allows you to shoot high-def video in 60 frames per second. It may not get all the way up to 4K, but when you consider that most video content is viewed on small 1080p screens, you probably won\u2019t miss it.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nNikon AF-S DX 18-55mm f\/3.5-5.6 G ED<\/a><\/h3>\n\n\n\nWhile we don\u2019t always love recommending kit zoom lenses, here we make an exception. It\u2019s a perfect choice for someone just getting started. Surprisingly sharp when stopped down, it also offers an effective range from wide to telephoto for capture of both landscapes and portraits, allotting the user a great deal of creative flexibility in a lightweight, entry-level lens.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon EOS R6<\/a><\/h3>\n\n\n\nCanon\u2019s entry into the full frame mirrorless world may have been slower than some expected, but boy, do they know how to burst onto the scene. The R6 features the same image sensor and processor of the 1D X Mark III<\/a><\/strong>, a powerhouse in the DSLR world. Paired with in-body image stabilization and high video frame rates, this beast is ready to take on the world. Additionally, with 4:2:2 10-bit Canon Log or HDR-PQ recording, the R6 can truly output some pro-level images worthy of your first (or latest) viral video.
<\/p>\n\n\n\nAlternately, the EOS 70D<\/a><\/strong> is an excellent APS-C camera from a generation ruled by DSLRs. Still just as capable as it was when it first burst onto the scene, this wedding and vlogging favorite can be had for cheaper than ever. Paired with an EF-S 18-135mm f\/3.5-5.6 IS STM<\/a><\/strong> lens, you\u2019ve got a budget kit ready for almost anything.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon RF 24-105 f\/4 L IS USM<\/a><\/h3>\n\n\n\nMatching the focal length and aperture of one of our favorite E-mount<\/a><\/strong> lenses, the RF 24-105 f\/4 L also brings along its excellent image stabilization. This makes it one of the most versatile options for steady handheld and low-light scenarios. With fast, smooth and silent autofocus capabilities, this is the single-lens solution for the RF system.\u00a0<\/p>\n\n\n\n
\n\n\n\nSHOP ALL GEAR<\/a><\/strong><\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/a><\/figure>\n\n\n\nNikon AF-S DX 18-55mm f\/3.5-5.6 G ED<\/a><\/h3>\n\n\n\nWhile we don\u2019t always love recommending kit zoom lenses, here we make an exception. It\u2019s a perfect choice for someone just getting started. Surprisingly sharp when stopped down, it also offers an effective range from wide to telephoto for capture of both landscapes and portraits, allotting the user a great deal of creative flexibility in a lightweight, entry-level lens.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon EOS R6<\/a><\/h3>\n\n\n\nCanon\u2019s entry into the full frame mirrorless world may have been slower than some expected, but boy, do they know how to burst onto the scene. The R6 features the same image sensor and processor of the 1D X Mark III<\/a><\/strong>, a powerhouse in the DSLR world. Paired with in-body image stabilization and high video frame rates, this beast is ready to take on the world. Additionally, with 4:2:2 10-bit Canon Log or HDR-PQ recording, the R6 can truly output some pro-level images worthy of your first (or latest) viral video.
<\/p>\n\n\n\nAlternately, the EOS 70D<\/a><\/strong> is an excellent APS-C camera from a generation ruled by DSLRs. Still just as capable as it was when it first burst onto the scene, this wedding and vlogging favorite can be had for cheaper than ever. Paired with an EF-S 18-135mm f\/3.5-5.6 IS STM<\/a><\/strong> lens, you\u2019ve got a budget kit ready for almost anything.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon RF 24-105 f\/4 L IS USM<\/a><\/h3>\n\n\n\nMatching the focal length and aperture of one of our favorite E-mount<\/a><\/strong> lenses, the RF 24-105 f\/4 L also brings along its excellent image stabilization. This makes it one of the most versatile options for steady handheld and low-light scenarios. With fast, smooth and silent autofocus capabilities, this is the single-lens solution for the RF system.\u00a0<\/p>\n\n\n\n
\n\n\n\nSHOP ALL GEAR<\/a><\/strong><\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/a><\/figure>\n\n\n\nCanon EOS R6<\/a><\/h3>\n\n\n\nCanon\u2019s entry into the full frame mirrorless world may have been slower than some expected, but boy, do they know how to burst onto the scene. The R6 features the same image sensor and processor of the 1D X Mark III<\/a><\/strong>, a powerhouse in the DSLR world. Paired with in-body image stabilization and high video frame rates, this beast is ready to take on the world. Additionally, with 4:2:2 10-bit Canon Log or HDR-PQ recording, the R6 can truly output some pro-level images worthy of your first (or latest) viral video.
<\/p>\n\n\n\nAlternately, the EOS 70D<\/a><\/strong> is an excellent APS-C camera from a generation ruled by DSLRs. Still just as capable as it was when it first burst onto the scene, this wedding and vlogging favorite can be had for cheaper than ever. Paired with an EF-S 18-135mm f\/3.5-5.6 IS STM<\/a><\/strong> lens, you\u2019ve got a budget kit ready for almost anything.
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon RF 24-105 f\/4 L IS USM<\/a><\/h3>\n\n\n\nMatching the focal length and aperture of one of our favorite E-mount<\/a><\/strong> lenses, the RF 24-105 f\/4 L also brings along its excellent image stabilization. This makes it one of the most versatile options for steady handheld and low-light scenarios. With fast, smooth and silent autofocus capabilities, this is the single-lens solution for the RF system.\u00a0<\/p>\n\n\n\n
\n\n\n\nSHOP ALL GEAR<\/a><\/strong><\/p>\n\n\n\n
<\/p>\n\n\n\n
Alternately, the EOS 70D<\/a><\/strong> is an excellent APS-C camera from a generation ruled by DSLRs. Still just as capable as it was when it first burst onto the scene, this wedding and vlogging favorite can be had for cheaper than ever. Paired with an EF-S 18-135mm f\/3.5-5.6 IS STM<\/a><\/strong> lens, you\u2019ve got a budget kit ready for almost anything. Matching the focal length and aperture of one of our favorite E-mount<\/a><\/strong> lenses, the RF 24-105 f\/4 L also brings along its excellent image stabilization. This makes it one of the most versatile options for steady handheld and low-light scenarios. With fast, smooth and silent autofocus capabilities, this is the single-lens solution for the RF system.\u00a0<\/p>\n\n\n\n SHOP ALL GEAR<\/a><\/strong><\/p>\n\n\n\n
<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\nCanon RF 24-105 f\/4 L IS USM<\/a><\/h3>\n\n\n\n
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