FUJIFILM GFX 100 II Medium Format Mirrorless Camera Body with EVF-GFX3 Viewfinder {102MP}

Fujifilm GFX100 II: 102MP medium format with 8K video onboard.

The 43.8 x 32.9mm back-illuminated CMOS sensor in the GFX100 II delivers 102 megapixels at 11,648 x 8,736 pixels, a sensor footprint that dwarfs full-frame by roughly 70% in surface area, with tonal gradation and depth separation that smaller formats simply cannot produce. The X-Processor 5 keeps this machine moving at 8 fps continuous shooting with a 76-frame RAW buffer, backed by AI-powered subject detection that tracks humans, animals, vehicles, and aircraft across 100% of the sensor area. Five-axis in-body stabilization handles slower handheld exposures without requiring a tripod on every shot.

On the video side, the GFX100 II records DCI 8K internally at up to 24 fps in ProRes 422 HQ, and full-width 4K/60p in 4:2:2 ProRes, all without an external recorder. Files move directly to Frame.io via the built-in RJ45 Gigabit Ethernet port, no extra hardware required. The 9.44-million-dot EVF gives you the resolution to evaluate critical focus at 102 megapixels in real time, and 16-bit RAW capture means your files carry the full dynamic range the sensor can record.

Dual card slots, CFexpress Type B alongside UHS-II SD, separate high-speed burst and video recording from overflow or backup. ISO runs natively from 80 to 12,800 for stills, with extension to 102,400 when conditions demand it. At this resolution and with this sensor size, the GFX100 II makes a compelling case for shooters who need both still and motion workflows covered by a single body.

Who It's For

Commercial and fashion photographers working toward large-format print or high-resolution digital delivery will find the 102MP, 16-bit RAW files carry the tonal depth and fine surface detail that clients expect at this level. Landscape photographers shooting in low light benefit from the 5-axis IBIS and a native ISO floor of 80 to keep files clean. Hybrid documentary shooters get full-width 4K/60p ProRes 4:2:2 alongside a stills workflow in one body, with Frame.io delivery built in over Ethernet for collaborative productions. Architecture and product photographers working in controlled environments will appreciate the 8K electronic shutter capping at 1/32000s and the extended aspect ratio options including 65:24 for panoramic formats.

Key Features

• 102MP 43.8 x 32.9mm back-illuminated CMOS sensor, 70% larger than full-frame
• X-Processor 5 with AI subject detection tracking across 100% frame
• 8 fps continuous shooting with 76-frame RAW buffer
• DCI 8K internal recording at 24 fps, full-width 4K/60p ProRes
• 5-axis sensor-shift stabilization for handheld video
• 9.44-million-dot EVF with 16-bit RAW capture capability
• Dual card slots: CFexpress Type B and UHS-II SD
• Frame.io integration via RJ45 Gigabit Ethernet

FAQ

What's the actual sensor size difference between the GFX100 II and full-frame?

The 43.8 x 32.9mm sensor is roughly 1.7 times the surface area of full-frame, giving you substantially more light collection per pixel and the tonal separation that medium format is known for.

Can I shoot 4K/60p at the full width of the sensor?

Yes. The GFX100 II records full-width 4K/60p in 4:2:2 ProRes internally-no external recorder needed. You also get DCI 8K at 24 fps if you want maximum horizontal resolution.

How does the AI autofocus work across the frame?

The X-Processor 5 tracks humans, animals, vehicles, and aircraft across 100% of the sensor area using phase-detection AF. At 102 megapixels, edge-to-edge focus accuracy matters on a sensor this size.

What's the 76-frame RAW buffer good for?

At 8 fps continuous shooting, you get 9.5 seconds of uninterrupted 102MP RAW frames before the buffer fills. Ideal for tracking action without worrying about frame loss during critical moments.

Do I need external recorders for video work?

No for most workflows-8K and 4K record internally to ProRes. If you want 12-bit ProRes RAW or Blackmagic RAW, use HDMI output to an external recorder. Frame.io integration over Gigabit Ethernet lets you upload proxies directly from the camera.

How does the dual card slot system work?

Slot 1 takes CFexpress Type B for high-speed burst and 8K video. Slot 2 accepts UHS-II SD cards for overflow or backup. You can split recording between them or mirror data across both.

What ISO range should I expect for low-light shooting?

Native stills ISO runs 80–12,800, extending to 102,400 when you need it. Video starts at 100 natively and extends to 25,600. At this sensor size, even the extended range maintains detail that smaller formats lose.