* Item pictured for illustrative purposes only, actual item not pictured. See ‘Notes’ next to grade for included items.
Canon 50mm f/1.2 L USM EF-Mount Lens {72}
-
$756.00
Canon's f/1.2 full-frame 50mm with L-series build quality.
The EF 50mm f/1.2L sits at the top of Canon's normal prime lineup for good reason. That f/1.2 maximum aperture isn't just a spec flex, at 50mm on full frame, it gives you razor-thin depth of field and the ability to shoot in available light that would stop most lenses cold. The 8-element, 6-group optical design includes an aspherical element to manage spherical aberration at wide apertures, and Super Spectra coatings keep flare and ghosting in check when shooting toward light sources. Eight circular diaphragm blades shape the out-of-focus rendering at stopped-down apertures.
The ring-type USM motor is fast and silent, with full-time manual focus override that requires no mode switching, you grab the ring and adjust. Internal focusing means the front element stays put during AF, keeping a 72mm polarizer or ND filter properly oriented. The metal barrel and metal mount reflect the mechanical standard Canon held for EF L glass throughout this lens's production run.
Native to any Canon EOS body and adaptable to Sony E, Canon RF, Nikon Z, Fuji X, and L-Mount systems, this 545g lens has accumulated a long track record across professional assignments. At f/1.2 on a 35mm full-frame sensor with a 46° angle of view, the light-gathering and subject-isolation combination remains difficult to replicate at this focal length.
Who It's For
Portrait photographers working in low-available-light environments, theater, reception halls, candlelit venues, will use the f/1.2 aperture to maintain shutter speed without pushing ISO into noise territory. Documentary and photojournalists benefit from the silent USM and natural 50mm perspective that doesn't distort faces or compress scenes. Photographers shooting environmental portraits or editorial work get the separation of a fast aperture with enough context in the frame that 50mm provides. Canon EOS film shooters get full native metering and AF integration on any EOS body ever made.
Key Features
- f/1.2 maximum aperture for extreme depth of field control
- 8-element optical design with aspherical element for edge-to-edge sharpness
- Ring-type USM autofocus with full-time manual focus override
- Internal focusing keeps front element stationary for filter use
- Super Spectra coatings reduce flare and ghosting
- 8 circular diaphragm blades for smooth bokeh rendering
- Canon EF mount, adaptable to RF, Sony E, Nikon Z, Fuji X, L-Mount
FAQ
- What makes the f/1.2 aperture useful beyond just looking fast?
- At 50mm on full frame, f/1.2 gives you working depth of field measured in inches at typical portrait distances. You get subject isolation and selective focus that f/2.8 or f/4 can't match, plus the ability to shoot in genuinely low light where slower normal primes need a tripod or high ISO.
- How does the aspherical element affect corner sharpness at f/1.2?
- It controls spherical aberration across the frame, so you get usable sharpness even wide open. You're not shooting an f/1.2 lens that only works at f/2.8 - the corners stay clear and defined when you need them.
- Does internal focusing affect filter use or polarizer rotation?
- No. Since the front element doesn't rotate or extend, a 72mm polarizer stays in the same position relative to your subject, and ND filters maintain their orientation throughout AF. That's a real advantage for video work or long exposures.
- Can you use this on modern Canon cameras, or is EF mount obsolete?
- It works on every Canon EOS DSLR ever made. For mirrorless, Canon's EF-to-RF adapter is cheap and transparent optically. Sony, Nikon Z, Fuji, and L-Mount users can adapt it with third-party rings, though AF speed depends on the adapter.
- Is the ring-type USM motor loud or slow?
- No. Ring-type USM is fast and silent - you won't hear it focusing, and it's responsive enough for video or tracking. The full-time manual focus override means you can grab the ring and adjust focus without switching modes.
- What's the trade-off with an f/1.2 50mm versus buying an f/2.8 zoom?
- The f/1.2 is 545g, manual focus override without mode switches, and razor-thin DOF. The zoom is wider focal range and lighter. They solve different problems - if you need the aperture and the precision of a prime, there's no substitute.
- Does this lens have weather sealing?
- No. The metal barrel and mount are durable, but there's no gasket sealing against dust or water. Keep it dry on set.
| Specification | Value |
|---|---|
| Focal Length | 50mm |
| Max Aperture | f/1.2 |
| Min Aperture | f/16 |
| Mount | Canon EF |
| Stabilization | No |
| AF System | Yes |
| Min Focus Distance | 0.45 m (1.5 ft) |
| Aperture Range | f/1.2–f/16 |
| Lens Type | Prime |
| Lens Format | Full Frame |
| Elements | 8 |
| Groups | 6 |
| Diaphragm Blades | 8 |
| Diagonal Angle Of View | 46° |
| Maximum Magnification | 0.15× |
| Filter Thread | 72mm |
| Length | 65mm (2.6 in) |
| Diameter | 85mm (3.4 in) |
| AF Motor Type | Ring-type Ultrasonic (USM) |
| Full Time Manual Focus | Yes |
| Focus Method | Internal |
| Aperture Ring | No |
| Distance Scale | Yes |
| DOF Scale | Yes |
| Coatings | Super Spectra |
| Weather Sealing | No |
| Materials | Metal barrel, metal mount |
| Color | Black |
| Hood Product Code | ES-78 |
| Package Weight | 1.885 lb |
| Box Dimensions | 6 x 5.3 x 5.3" |
| Weight | 545g (19.2 oz) |
This description was generated using AI based on KEH's internal product standards, product expertise, and knowing what customers care about most. While we strive for accuracy, details may vary by individual item.
| Brand Name | Canon |
|---|---|
| Filter Size | 72mm |
| Focus Type | Autofocus (lens motor) |
| Lens Mount | Canon EF |
| Lens Type | Standard / Normal |
| Max Focal Length | 50mm |
| Min Focal Length | 50mm |