* Item pictured for illustrative purposes only, actual item not pictured. See ‘Notes’ next to grade for included items.
Fujifilm XF 16-80mm f/4 R OIS WR Fujinon Lens for APS-C Format X-Mount, Black {72}
-
$427.00
Fujifilm's 24-120mm equivalent walkaround zoom at a constant f/4.
The XF 16-80mm f/4 R OIS WR covers 16-80mm on the X-mount, translating to a 24-120mm equivalent field of view on APS-C. That range spans architectural wide-angle all the way into medium telephoto compression, and the constant f/4 aperture means your exposure stays predictable as you zoom. The optical formula runs 16 elements across 12 groups, with three aspherical elements including one ED aspherical element that keeps lateral chromatic aberration in check across the zoom range. Super EBC coating manages flare and contrast loss when shooting into strong light.
The OIS system is rated at six stops of shake compensation, which makes a real difference when handholding at 80mm in low light or shooting video on a gimbal-free setup. Minimum focus distance sits at 35 cm, giving you enough working room for close product shots or environmental details without a dedicated macro lens in your bag. The lens weighs 440 g and seals against weather, so it holds up in the field alongside weather-resistant X-Series bodies.
For anyone building a single-lens travel or documentary kit on the X system, this is the lens the system has needed since launch. The focal range does most of what a working photographer needs in a day, and the build quality justifies putting it on the camera and leaving it there.
Who It's For
Travel photographers who want one lens to cover wide establishing shots and compressed medium telephoto framing will find the 24-120mm equivalent range and 440 g weight a practical combination for long shooting days. Documentary and street photographers benefit from the weather sealing and quiet autofocus when working in unpredictable environments. Videographers shooting handheld get direct use from the six-stop OIS system. Portrait shooters working in available light indoors can lean on the constant f/4 and OIS together when they need to stay mobile without a tripod.
Key Features
- Constant f/4 maximum aperture across entire 16-80mm focal range
- 24-120mm equivalent field of view on APS-C sensor
- Six stops of optical image stabilization for handheld and gimbal-free video
- 16 elements in 12 groups including ED aspherical element for chromatic aberration control
- 35cm minimum focus distance for close product and environmental detail work
- Weather-resistant construction with Super EBC coating for flare and ghosting reduction
FAQ
- What's the real-world stabilization difference at 80mm?
- Six stops of OIS is the difference between handheld at 1/8s and 1/125s in the same light. At 80mm on APS-C, that means you can shoot video without a gimbal or grab stills in low-light interiors without pushing ISO aggressively.
- Does f/4 constant throughout the zoom range actually matter?
- Yes. You're not chasing exposure compensation as you zoom, and your depth-of-field behavior stays consistent across the focal range. That predictability is essential if you're juggling manual settings while shooting documentaries or event work.
- How close can you focus, and is it close enough for product work?
- 35 cm minimum focus distance gets you close enough for small product shots, book covers, or architectural details without a macro lens. It's not macro territory, but it eliminates a dedicated close-focus accessory from your bag.
- Which aspherical element does the heavy lifting for sharpness?
- The ED aspherical element keeps lateral chromatic aberration controlled across the zoom range. The other two aspherical elements handle field curvature and astigmatism, so you get consistent corner-to-corner rendering instead of edge softness that demands stopping down.
- Is the weather sealing adequate for rain or snow?
- WR sealing means it resists water spray and dust. It's not a submersible design, but it'll survive actual field conditions alongside weather-resistant X-Series bodies without babying the equipment.
- Why would you actually use this instead of two primes?
- This is a working zoom, not a convenience zoom. The constant f/4, OIS, and 24-120mm coverage eliminate two extra lenses and the lens-swap moment when the light changes. For travel, documentary, or run-and-gun editorial work, that simplicity has real value.
| Specification | Value |
|---|---|
| Focal Length | 16-80mm |
| Max Aperture | f/4 |
| Min Aperture | f/22 |
| Mount | Fujifilm X |
| Lens Format | APS-C |
| Angle Of View | 83.2° to 20.1° |
| Elements | 16 |
| Groups | 12 |
| Min Focusing Distance | 35 cm / 1.15 ft |
| Filter Thread | 72mm |
| Length | 88.9 mm / 3.50" |
| Max Diameter | 78.3 mm / 3.08" |
| Package Weight | 1.905 lb |
| Box Dimensions | 10.5 x 6.1 x 5.3" |
| Weight | 440 g / 15.52 oz |
This description was generated using AI based on KEH's internal product standards, product expertise, and knowing what customers care about most. While we strive for accuracy, details may vary by individual item.
| Brand Name | Fuji |
|---|---|
| Filter Size | 72mm |
| Focus Type | Autofocus (lens motor) |
| Lens Mount | Fuji XF Digital |
| Lens Type | All-In-One |
| Max Focal Length | 80mm |
| Min Focal Length | 16mm |