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FUJIFILM X-T2 Mirrorless Camera Body, Black {24.3MP} with EF-X8 Flash
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$683.00
Fujifilm X-T2: the APS-C mirrorless that earned its reputation
The X-T2 pairs a 24.3MP X-Trans CMOS III sensor with the X Processor Pro engine, and that combination still produces files that hold up under serious scrutiny. The X-Trans pattern handles moiré and false color without a traditional optical low-pass filter, which means you're getting genuine resolving power out of those 24.3 megapixels. Fifteen film simulation modes are baked in, including ACROS with yellow, red, and green filter variants, a monochrome rendering that remains one of the most convincing in-camera black-and-white options in the X system.
The Intelligent Hybrid Phase Detection AF selects from up to 325 points across single-point grids (13x7 or 25x13) or 91 zone areas on a 13x7 grid. Burst shooting tops out at 14fps via electronic shutter, with a buffer that holds 42 JPEGs, 28 lossless RAW, or 25 uncompressed RAW frames at that rate. Pair the body with the optional VPB-XT2 grip and continuous shooting jumps to 11fps with buffer depth expanding to 73 JPEGs, 30 lossless RAW, or 27 uncompressed RAW frames. The weather-resistant magnesium alloy chassis, dual UHS-II card slots, 2.36-million-dot EVF, and 3-way tilting LCD round out a body that was built for working photographers, not shelf display.
At 24.3 megapixels with 4K video, 15 film simulations, and a proven AF system, the X-T2 offers a full toolkit at a fraction of what it cost at launch.
Who It's For
Street and documentary photographers get a weather-sealed body with a 1/32000sec electronic shutter, silent shooting with essentially no shutter speed ceiling for harsh midday light. Portrait and wedding shooters benefit from the 15 film simulation modes, particularly the ACROS variants, which deliver polished JPEGs straight out of camera. Wildlife and sports photographers working the X system can push the X-T2 to 14fps with the electronic shutter or add the VPB-XT2 grip for 11fps sustained bursts with expanded buffer depth. Travel photographers gain from dual UHS-II slots, a compact weather-resistant build, and the 3-way tilting LCD for low-angle or overhead framing.
Key Features
- 24.3MP APS-C X-Trans CMOS III sensor with no optical low-pass filter
- X Processor Pro engine for faster AF and lower noise
- Intelligent Hybrid Phase Detection AF with up to 325 selectable points
- 14fps burst with 42-frame JPEG buffer or 28-frame lossless RAW buffer
- 15 film simulation modes including ACROS with filter variants
- 4K video at 24/25/30fps and Full HD to 60fps
- 2.36-million-dot EVF with 100fps refresh; 3-way tilting 3-inch LCD
- Weather-resistant magnesium body with dual SD UHS-II card slots
FAQ
- Does the X-T2 have the same X-Trans sensor as the X-T1?
- No. The X-T2 uses the X-Trans CMOS III sensor, an upgrade from the X-T1's CMOS II. The III version improves ISO performance across the range (ISO 200-12800 in RAW) with smoother gradation and deeper blacks, paired with the faster X Processor Pro engine for quicker AF and better color reproduction.
- What's the burst rate, and does it improve with the optional grip?
- The X-T2 shoots 14fps with the electronic shutter at full resolution-42 JPEGs, 28 lossless RAW, or 25 uncompressed RAW frames per burst. Add the VPB-XT2 grip and you get 11fps sustained with deeper buffers: 73 JPEGs, 30 lossless RAW, or 27 uncompressed RAW frames.
- Can I use the 325 AF points across the entire frame?
- No. The 325 points are spread across two single-point grid options: 13x7 or 25x13. You also get 91 zone areas on a 13x7 grid for zone AF, plus wide and tracking AF modes with up to 18 areas. The 25x13 grid covers the maximum area, but you're selecting discrete points, not continuous coverage.
- How does the X-Trans filter pattern affect image quality?
- The X-Trans pattern replaces the traditional Bayer filter and eliminates the need for an optical low-pass filter. This gives you the full 24.3MP resolving power without sacrificing detail to false color and moiré suppression-a real advantage over conventional Bayer sensors in that size range.
- Are the 15 film simulation modes really useful, or are they gimmicks?
- The simulations go beyond cosmetic presets. ACROS with its three filter variants (yellow, red, green) is a legitimate monochrome tool-genuinely one of the best in-camera black-and-white engines in the X system. The others (PROVIA, Velvia, Classic Chrome, PRO Neg variants, Sepia) have actual color science behind them. You can also bracket across three film simulations in a single shot sequence, making them practical for workflows.
- Is weather resistance the same as weather sealing?
- The X-T2 has a weather-resistant magnesium alloy chassis with improved control dials, but Fujifilm doesn't call it full weather sealing. It's designed to handle rugged outdoor conditions and splash resistance, not submersion or sustained heavy rain. Lens choice matters too-only OIS-type X-mount lenses contribute to overall environmental protection.
- What about video-is 4K practical for work?
- The X-T2 records 4K at 24/25/30fps in MOV format (H.264, 100Mbps). Full HD goes to 60fps. Battery life drops significantly in 4K (the VPB-XT2 grip extends it to 30 minutes), and the bitrate at 100Mbps is moderate by modern standards, but it's workable for narrative or documentary work if you're not expecting cinema-grade specs.
| Specification | Value |
|---|---|
| Sensor | APS-C |
| Resolution | 24.3 MP |
| Mount | Fujifilm X |
| Burst Rate | 14.0fps (Electronic Shutter, max); 11.0fps (with VPB-XT2); 8.0fps; 5.0fps |
| Video | 4K |
| Stabilization | Supported with OIS-type lenses |
| Card Slots | Dual SD UHS-II |
| Color Filter | Primary color filter |
| Video File Format | MOV (MPEG-4 AVC / H.264, Audio: Linear PCM / Stereo 48KHz) |
| Electronic Shutter | 30sec ~ 1/32000sec (P/A/S/M modes); Bulb: 1sec fixed; TIME: 1sec ~ 1/32000sec |
| AF Frame Selection | Single point AF: EVF/LCD 13x7 / 25x13 (5 AF frame sizes); Zone AF: 3x3 / 5x5 / 7x7 from 91 areas on 13x7 grid; Wide/Tracking AF: up to 18 areas (AF-S: Wide / AF-C: Tracking) |
| AF System | Intelligent Hybrid Phase Detection AF |
| Burst Buffer | JPEG: 42 frames (14fps ES); Lossless RAW: 28 frames; Uncompressed RAW: 25 frames (at max burst) |
| File Format | JPEG (Exif Ver. 2.3), RAW 14-bit (RAF), RAW+JPEG |
| Film Simulation Modes | 15 modes: PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, B&W+Ye Filter, B&W+R Filter, B&W+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, A... |
| Advanced Filters | Toy Camera, Miniature, Pop Color, High-Key, Low-Key, Dynamic Tone, Soft Focus, Partial Color (Red/Orange/Yellow/Green/Blue/Purple) |
| Auto Bracketing | AE Bracketing (±1/3EV to ±2EV); Film Simulation Bracketing (any 3 types); Dynamic Range Bracketing (100%/200%/400%); ISO Bracketing (±1/3EV, ±2/3EV, ±1EV); White Balance Bracketing (±1, ±2, ±3) |
| Dynamic Range | AUTO, 100%, 200%, 400% (DR200%: ISO 400 or more; DR400%: ISO 800 or more) |
| Hot Shoe | Yes (Dedicated TTL Flash compatible) |
| Flash Modes | 1st Curtain / 2nd Curtain / Auto FP (HSS); TTL (Flash Auto / Standard / Slow Sync.) / Manual / Commander / OFF |
| Included Flash | EF-X8 |
| EVF Resolution | 2.36 million dots |
| LCD | 3.0-inch 3-way tilting |
| Interval Timer | Yes (configurable: interval, number of shots, starting time) |
| Weather Resistant | Yes |
| Battery Life | Approx. 340 frames (Normal Mode); Approx. 1,000 frames (with VPB-XT2) using XF35mmF1.4 R |
| Dimensions | 132.5 x 91.8 x 49.2mm (minimum depth 35.4mm) |
This description was generated using AI based on KEH's internal product standards, product expertise, and knowing what customers care about most. While we strive for accuracy, details may vary by individual item.
| Brand Name | Fuji |
|---|---|
| Flash System | Fujifilm TTL |
| Focus Type | Autofocus (lens motor) |
| Lens Mount | Fuji XF Digital |
| Memory Card Type | SD, SDHC, SDHC UHS-I, SDHC UHS-II, SDXC, SDXC UHS-I, SDXC UHS-II |