Canon Cinema EOS C100 Mark II HD Camcorder Body (EF-Mount) with Camera Grip, Top Handle

Canon C100 Mark II: Super 35mm filmmaking in a run-and-gun body

The C100 Mark II puts a Super 35mm CMOS sensor, the same one used in the C300, into a body that weighs 2.2 pounds stripped down. That sensor resolves 8.3MP natively and pairs with the DIGIC DV 4 processor to push ISO from 320 all the way to 102,400, making available-light documentary work genuinely practical without a lighting package. Canon Log Gamma delivers 12 stops of dynamic range at ISO 850 and above, giving colorists real latitude in post.

Dual Pixel CMOS AF is the feature that set this camera apart when it launched, and it holds up. Phase-difference detection runs across the sensor continuously, tracking moving subjects with smooth transitions than the hunting behavior typical of contrast-detect systems. Face Detection AF adds another layer for interview and event work. The EF mount opens the entire Canon lens ecosystem, EF, EF-S, and Cinema EOS glass all mount natively, which matters for shooters already deep in Canon glass.

Recording goes to dual SD cards in AVCHD up to 24 Mbps or MP4, with relay and redundancy options across both slots. The removable top handle carries two XLR inputs with 48kHz linear PCM audio. The 3.5-inch OLED monitor tilts 100 degrees; the 0.45-inch EVF hits 1.23 million dots. Built-in ND filters in three densities, 2, 4, and 6 stops, handle changing light without reaching for a matte box. For single-operator shoots that demand professional image quality, the C100 Mark II remains a proven, workhorse.

Who It's For

Documentary shooters working solo or with small crews get the most out of the Dual Pixel CMOS AF and Face Detection, which keep talent in focus without a dedicated focus puller. Event videographers covering weddings or corporate work benefit from the ISO 102,400 ceiling and built-in ND filters across unpredictable lighting conditions. Independent narrative filmmakers with existing Canon EF glass can mount their full lens collection and shoot Canon Log for a 12-stop grading workflow. Journalists and field producers running run-and-gun setups appreciate the 2.2-pound body, dual SD redundancy recording, and XLR audio inputs on the top handle.

Key Features

• Super 35mm CMOS sensor with 8.3MP native resolution
• Dual Pixel CMOS AF with continuous tracking and Face Detection AF
• ISO 320 to 102,400 with Canon Log Gamma for 12 stops dynamic range
• 1920x1080 Full HD recording to dual SD cards in AVCHD or MP4
• Two XLR inputs on removable top handle with 48kHz linear PCM audio
• Built-in ND filters with 2, 4, and 6-stop densities
• Canon EF mount compatible with full lens ecosystem
• 0.45-inch EVF and 3.5-inch OLED monitor with focus-assist tools

FAQ

Does the C100 Mark II handle low-light work without external lighting?

ISO 320 to 102,400 makes available-light shooting practical. Canon Log Gamma at ISO 850+ delivers 12 stops of dynamic range, giving you usable footage in minimal light and real latitude for grading later.

How does Dual Pixel CMOS AF perform compared to older contrast-detect systems?

Phase-difference detection runs continuously across the sensor, tracking moving subjects with smooth focus transitions instead of the hunting behavior you get with contrast-detect. Face Detection AF adds another layer for interviews and events.

What lenses can I use with the EF mount?

EF, EF-S, and Cinema EOS glass mount natively. If you're already invested in Canon glass from DSLRs, it all works here. Peripheral illumination correction handles light fall-off automatically.

Can I record to both SD cards simultaneously for redundancy?

Yes. The camera supports relay recording (continuous takes across both cards) or simultaneous dual-card recording for backup. AVCHD up to 24 Mbps; MP4 also supported with fast/slow motion options.

What's the audio setup on this camera?

Two XLR inputs on the removable top handle with 48kHz linear PCM (24 Mbps) audio. There's also a built-in microphone on the body itself, so you can remove the handle and still record sound.

How do the built-in ND filters work?

Manual dial selects four configurations: off, 2 stops, 4 stops, or 6 stops. Handles bright environments without a matte box, keeping you mobile for run-and-gun work.

Is the viewfinder large enough to work with?

The 0.45-inch EVF hits 1.23 million dots with 100% coverage. The 3.5-inch OLED monitor tilts 100 degrees and rotates 180 degrees to protect the screen when not in use.