Cooke 65mm T2.8 Mini S4/i Cine Super35/APS-C Lens for PL-Mount, Black {82} In Feet

Cooke 65mm T2.8 Mini S4/i: cinematic character in a compact PL package.

The Cooke Mini S4/i 65mm T2.8 sits in a lens family built around working cinematographers who need the optical character of a full S4/i set without the weight and cost. At 65mm, this is a natural portrait and medium telephoto focal length for Super35 and APS-C format cameras, covering that sensor size with no vignetting and delivering the T-stop-rated T2.8 aperture that gives you consistent exposure across a matched set. T-stop ratings matter on set because they reflect actual light transmission, not theoretical maximum, so your exposure stays predictable when you pull one Mini S4/i and replace it with another.

The PL mount is the industry standard for professional cinema cameras, and the built-in i/Technology data communication means lens metadata, focus distance, aperture, depth of field, serial number, is recorded directly to the camera body on supported systems. That data travels with the footage through post. The 82mm front filter thread is consistent across the Mini S4/i family, which means one set of filters covers all your focal lengths. Focus markings are in feet, so confirm that matches your crew's workflow before committing.

For the budget a Mini S4/i represents, you're getting proven Cooke optical rendering in a form factor that fits smaller cinema rigs and gimbal-friendly builds.

Who It's For

Documentary and indie narrative cinematographers shooting on Super35 bodies will find the 65mm focal length ideal for interviews and medium close-ups, where the T2.8 aperture delivers enough light-gathering for controlled interiors. Camera assistants and focus pullers working on multi-lens shoots benefit directly from i/Technology metadata, which logs precise focus and aperture data per frame. Gimbal and handheld operators appreciate the compact Mini S4/i form factor compared to larger cinema primes. Colorists and VFX teams gain from the embedded lens data that simplifies tracking and continuity checks in post.

Key Features

• Fixed 65mm focal length for Super35 and APS-C format coverage
• T2.8 T-stop aperture with consistent light transmission across the series
• PL mount with i/Technology lens metadata communication
• 82mm front filter thread shared across all Mini S4/i lenses
• Focus markings calibrated in feet for cinema crew workflow
• Compact form factor designed for gimbal rigs and smaller cinema builds

FAQ

What's the difference between a T-stop and an f-stop on this lens?

T-stop (T2.8) measures actual light transmission through the lens, while f-stop is theoretical. On set, T-stop matters because it guarantees consistent exposure across your entire Mini S4/i set - swap the 65mm for another focal length and your exposure stays the same.

Will this lens vignette on APS-C cameras?

No. The 65mm Mini S4/i is optically designed for Super35 and APS-C sensor coverage with no vignetting across either format.

Does the 65mm Mini S4/i record metadata to my camera?

Yes, if your camera supports i/Technology communication. Focus distance, aperture, depth of field, and lens serial number transmit directly to the camera body and travel with your footage through post.

What's the front filter thread size?

82mm. All Mini S4/i lenses share the same filter thread, so one set of ND or polarizer filters works across your entire focal length range.

Are focus markings in feet or meters?

Feet. Confirm your crew's standard before purchase - this lens uses feet-marked focus scales.

Can I use this lens on non-cinema PL cameras?

Technically, yes - any camera with a PL mount accepts it. But the Mini S4/i is engineered for cinema workflows and cinema bodies with electronic iris and i/Tech support will give you full feature access.

How does the 65mm focal length perform on Super35?

It sits in the portrait-to-medium telephoto range for Super35, delivering natural framing for close-ups, interviews, and selective focus shots without requiring close working distance.