OM SYSTEM 50-200mm f/2.8 ED IS M.Zuiko PRO Autofocus Lens for MFT (Micro Four Thirds), White {77}

Model #394680
  • $3,058.00

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New in box complete with manufacturer's USA warranty. Not previously owned or used.
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Frequently used with above-average wear. May have dents, dings, or finish loss. Lens glass may have small scratches, dust, and blemishes, and zoom/focus ring tension may have moderate looseness or tightness overall, but should not affect picture quality. Accessories usually not included, unless noted in listing. 180-day warranty.
Heavily used with extensive visible wear. Equipment is rough, with multiple impressions in the finish, excessive finish loss and brassing. Glass will have marks, fungus and/or heavy/cloudy haze which could affect picture quality. Accessories usually not included, unless noted in listing. Not covered under KEH warranty.
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With Caps, Case LSC-1127, Hood LH-82C, Tripod Adapter
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100-400mm equivalent super-telephoto zoom at a constant f/2.8.

The OM SYSTEM M.Zuiko Digital ED 50-200mm f/2.8 IS PRO covers a 100-400mm full-frame equivalent range at a constant f/2.8 aperture, a combination that simply doesn't exist at this size and weight in larger formats. ED glass elements keep chromatic aberration in check across the entire zoom range, which matters when you're shooting at the long end against bright skies or high-contrast backgrounds. The 77mm filter thread is a practical choice for those already running polarizers or ND filters in that size.

The 7-stop 5-axis Sync IS pairs with in-body stabilization on compatible OM SYSTEM bodies, giving you the kind of keeper rates at 400mm equivalent that would otherwise demand a tripod. Weather sealing means the lens holds up in rain, dust, and the general abuse that comes with field shooting. For a PRO-series telephoto zoom, the physical footprint stays genuinely manageable, which changes how you approach a full day of shooting on foot.

Who It's For

Wildlife photographers working from blinds or on foot will appreciate the f/2.8 aperture at 400mm equivalent, which separates subjects from cluttered backgrounds and recovers shutter speed in low-contrast light at dawn or dusk. Sports shooters covering outdoor events in variable weather can lean on the sealed construction and fast aperture without hauling full-frame glass. Birders and nature photographers who move constantly between locations benefit from the lighter build that doesn't sacrifice reach or optical quality. Adventure and expedition photographers needing a single telephoto that works across unpredictable conditions get a lens designed specifically for that use case.

Key Features

  • 50-200mm focal length equals 100-400mm full-frame equivalent
  • Constant f/2.8 maximum aperture throughout zoom range
  • ED glass elements minimize chromatic aberration
  • 7-stop 5-axis Sync IS stabilization
  • Weather-sealed construction for field durability
  • Micro Four Thirds mount with PRO series build quality
  • 77mm filter thread for existing filter systems

FAQ

What's the actual field of view compared to full-frame telephoto lenses?
The 50-200mm focal length translates to a 100-400mm equivalent on full-frame, so you get true super-telephoto reach. On Micro Four Thirds bodies, the 2x crop factor means a 200mm lens behaves optically like a 400mm would on a full-frame camera.
Can you use this lens on non-OM SYSTEM bodies?
Only on Micro Four Thirds mount cameras - that includes Panasonic Lumix bodies and older Olympus OM-D bodies. The Sync IS pairing works best with current OM SYSTEM bodies, but the optical stabilization functions standalone on any MFT camera.
Is 7-stop stabilization enough for handheld shooting at 400mm equivalent?
Seven stops of combined in-body and lens stabilization gets you handheld keeper rates down to roughly 1/50th of a second at 200mm, assuming solid technique. At 400mm equivalent with in-body IS active on compatible bodies, you're looking at workable shutter speeds for most daylight shooting.
How does the f/2.8 constant aperture compare to variable-aperture telephoto zooms?
You maintain consistent light transmission and depth of field control across the entire zoom range. Variable-aperture telephotos stop down to f/4 or f/5.6 at the long end, which costs you roughly one to two stops of light and autofocus performance.
What does ED glass actually do for telephoto work?
ED (Extra-low Dispersion) elements reduce chromatic aberration - that color fringing you see on high-contrast edges like birds against sky. At 400mm equivalent, this matters. Without it, you're fighting color separation on every telephoto shot.
Will this lens perform in rain and dust?
Yes. Weather sealing means the lens is sealed against dust ingress and moisture. It's not submersible, but it handles field conditions without babying - rain, salt spray, general outdoor abuse.
The 77mm filter thread - is that standard?
For a 50-200mm f/2.8, 77mm is practical. If you're running ND or polarizer filters, you likely already own 77mm glass for other lenses, so you're not buying new filter sizes.
SpecificationValue
Focal Length50-200mm
Max Aperturef/2.8
Min Aperturef/22
MountMicro Four Thirds (MFT)
Stabilization7-Stop 5-Axis Sync IS
Focal Length Equivalent100-400mm (Full-Frame Equivalent)
Filter Thread77mm
ColorWhite
Weather SealedYes
DescriptionA distinctly fast and flexible lens, the M.Zuiko Digital ED 50-200mm f/2.8 IS PRO, from OM SYSTEM, is a 100-400mm-equivalent telephoto zoom that mixes a bright, stable design with a robust, weather-se...

This description was generated using AI based on KEH's internal product standards, product expertise, and knowing what customers care about most. While we strive for accuracy, details may vary by individual item.

Brand Name OM Digital Solutions Corp.
Filter Size 77mm
Lens Mount Micro Four Thirds